Coming to the end of this September Learning Challenge (I started late, so it will run on into October), I find I have a couple of ‘extra’ chapters to cover from Finding Your Writer’s Voice to finish the first section.
Chapter 16 – The Writer as Presence
There can be value in imitation, especially to a beginner writer who has yet to find their own voice. But only writing as ‘you’ will ultimately be any good – no imitation, however great, will put your heart on the page. When you write as yourself, you might think your work sounds too ordinary – but the reader isn’t you, and isn’t numbed to your voice the way you are. You are unique in person and voice, and this is what you must put on the page.
You may want to mute some aspects of your personality – a tendency towards logic and over-analysis, for instance – or you might even want to exaggerate them for effect. If you have a trait or quality that you don’t like about yourself, put it in a story and find the ridiculousness to it. You don’t need to study psychology to write, but be aware that you will reveal your own personality even if you never write an autobiographical word.
Another reason why it’s so important to finish work – short stories, poems, novels – is that it’s only when you examine the finished result that you can start to see where your personality is missing from the text. Writing is an act of courage.
Chapter 17 – Becoming a Prose Thief
It’s easy to find your voice taking on echoes of what you’re reading: a nineteenth century binge will leave ‘nary’ and ‘whilst’ creeping into your work, for example. Trying on other voices can be a great learning tool, but ultimately you’re using them to find your own unique voice.
Exercises include: change a scene from one of your least favourite writers – as ‘artistic director’ what changes would you make? Or write a page or so in a parody of your favourite writer – really exaggerate the voice. Try writing the same scene in the style of another, very different writer.
Borrowing another voice for a little while can be a great warm-up into your own story. It might help you find voices for your characters, or a story line you might not otherwise have found, or just help you find the tone before your own voice takes over.